Well my Cine friends, this has definitely been a major cultural week for your friendly neighbourhood culture-vulture. I've been to a movie, a one-night only event, and a discussion at TIFF and all three really rocked!
In order of attendance, I saw DARREN ARONOFSKY'S BLACK SWAN, attended a special evening with my hero STEPHEN SONDHEIM, who recently turned 80 and I attended an amazing discussion about STANLEY KUBRICK'S masterpiece 2001: A SPACE ODYSSEY with fx wunderkind DOUGLAS TRUMBULL.
So let's begin:
I was supposed to see ARONOFSKY'S BLACK SWAN @ TIFF but I committed the cardinal rule of fest goers and slept in that day. I was assured by my buddy who did see it that it was definitely worth seeing and of course had loved his PI and REQUIEM FOR A DREAM (the less said about his THE FOUNTAIN the better).
Well my friend was right it was amazing. First of all one has to mention the bravura turn of NATALIE PORTMAN in the titular role. She is in almost every scene and she is amazing. She is ably supported by VINCENT CASSEL MILA KUNIS and BARBARA HERSHEY.
The film has been described as a remake of DARIO ARGENTO'S SUSPIRIA and that ain't a bad description of it. There are also echoes of REPULSION THE RED SHOES and ORPHEUS IN THE UNDERWORLD but just like all of ARONOFSKY'S ouevre it is wholly original as well.
Working once again with his gifted d.o.p. MATTHEW LABATIQUE he brings some startling imagery to the screen which is both disturbing and daring. Every film he makes is startlingly original and this film is no exception. See it.
On to the next event...
Now, this was truly a special event. It was an evening with my favourite composer STEPHEN SONDHEIM on the occasion of the publication of his new book FINISHING THE HAT and his 80Th birthday.
It was just an exceptional evening composed simply of SONDHEIM discussing his career and it was absolutely riveting. He is the only one left from the golden age of Broadway and he had some great anecdotes of the people he's worked with all legends: HAMMERSTEIN BERNSTEIN PRINCE STYNE LAURENTS LAPINE ROBBINS GELBART SHEVELOVE the list goes on and on.
He is a true legend and probably one of the wisest and wittiest men I have ever encountered. He is a true original. He told a great story how A FUNNY THING HAPPENED ON THE WAY TO THE FORUM was not working on its out-of-town tryout. The reason was because the audience did not know that this was a ''low'' comedy and so weren't sure how to react to it. It was JEROME ROBBINS who suggested to SONDHEIM, that he add a song as prologue to the show and so COMEDY TONIGHT, and a comedy smash was born.
He gave us a unique look at his creative genius and it was magical.
Lastly - but not leastly I attended a discussion with DOUGLAS TRUMBULL, who talked about his huge contribution to KUBRICK'S 2001.
He told us that the entire fim was Sui generis. There was no CGI back in 1968 and so it was all basically done by hand.
He showed us some fascinating docs on the making of the film and some insight into that reclusive elusive genius known as STANLEY KUBRICK.
It gave me a new appreciation of the film. He explained how all the sets were self-lit and so could be shot from any angle. I was riveted.
Until next time my Cine Pals,
T.T.F.N.
Thursday, December 9, 2010
Monday, November 15, 2010
'WATTS' ROCKS AS 'PLAME' IN FAIR GAME
Well, my Cine Ficinados, I finally saw a film that is worth writing about. That film is FAIR GAME, directed by DOUG LIMAN and starring 2 of our finest thespians: NAOMI WATTS and SEAN PENN.
Let's face it, following TIFF, the fall film season has sucked rocks, with unfunny romcoms and basically uninspired fare.
However, that being said, my faith in cinema has been redeemed by this riveting biopic, which tells the true story of how VALERIE PLAME, was ''outed'' as being a CIA spy, and it's effect on her and her husband (PENN).
In other words, come back with me to those glorious days of GEORGE ''DUBYA'' BUSH and his evil minion DICK ''THE TOOL'' CHENEY, as well as the wacky SCOOTER (HUH?) LIBBY, as they make their nutty way into IRAQ, where mayhem and sadly, loss of life ensues.
Here's the story of a lovely lady, VALERIE PLAME, who was working under ''deep cover,'' for the CIA, in IRAQ - only her husband and parents knew that she was a spy - and how her cover is blown, which has staggering ramifications, for her and her family.
Think back folks to when "DUBYA," educated a nation about those so-called WMD'S (WEAPONS OF MASS DISTRACTION), which he used as justification for going into IRAQ, as we all know, these weapons, like the ''emperor's new clothes,'' did not exist. BUSH claimed that old SADDAM got some of the raw materials for these weapons from NIGER, which JOSEPH WILSON (PENN) had visited recently, and knew was a ''patent'' lie. He said as much in an op-ed piece to the NEW YORK TIMES, and that's when the proverbial hit the fan.
PLAME was ''outed,'' as a spy and her husband discredited. WILSON tries to fight back, but as they say: ''you can't fight city hall.'' PLAME'S friends are aghast that she was a spy and they never knew. She is castigated by the press and shunned by the CIA.
While the film does have some fictional elements, it mostly rings true.
LIMAN acts as his own d.o.p. lensing on locations across the MIDDLE EAST, and creating tension and suspense with his largely hand-held camera.
WATTS, gives a bravura performance and she has fabulous chemistry, with the equally great PENN, who is every bit her equal.
With the current political situation in the states, this film is more timely than ever and a really excellent and thoughtful movie.
Let's face it, following TIFF, the fall film season has sucked rocks, with unfunny romcoms and basically uninspired fare.
However, that being said, my faith in cinema has been redeemed by this riveting biopic, which tells the true story of how VALERIE PLAME, was ''outed'' as being a CIA spy, and it's effect on her and her husband (PENN).
In other words, come back with me to those glorious days of GEORGE ''DUBYA'' BUSH and his evil minion DICK ''THE TOOL'' CHENEY, as well as the wacky SCOOTER (HUH?) LIBBY, as they make their nutty way into IRAQ, where mayhem and sadly, loss of life ensues.
Here's the story of a lovely lady, VALERIE PLAME, who was working under ''deep cover,'' for the CIA, in IRAQ - only her husband and parents knew that she was a spy - and how her cover is blown, which has staggering ramifications, for her and her family.
Think back folks to when "DUBYA," educated a nation about those so-called WMD'S (WEAPONS OF MASS DISTRACTION), which he used as justification for going into IRAQ, as we all know, these weapons, like the ''emperor's new clothes,'' did not exist. BUSH claimed that old SADDAM got some of the raw materials for these weapons from NIGER, which JOSEPH WILSON (PENN) had visited recently, and knew was a ''patent'' lie. He said as much in an op-ed piece to the NEW YORK TIMES, and that's when the proverbial hit the fan.
PLAME was ''outed,'' as a spy and her husband discredited. WILSON tries to fight back, but as they say: ''you can't fight city hall.'' PLAME'S friends are aghast that she was a spy and they never knew. She is castigated by the press and shunned by the CIA.
While the film does have some fictional elements, it mostly rings true.
LIMAN acts as his own d.o.p. lensing on locations across the MIDDLE EAST, and creating tension and suspense with his largely hand-held camera.
WATTS, gives a bravura performance and she has fabulous chemistry, with the equally great PENN, who is every bit her equal.
With the current political situation in the states, this film is more timely than ever and a really excellent and thoughtful movie.
Tuesday, September 28, 2010
LAST DAY OF TIFF
Well, my little Cine Fantasists, it is now the last day of TIFF (sniff, sniff), and I have to say, I'm sorry to see it go, though (movie) love means never having to say you're sorry.
I finished this year's TIFFAPALOOZA, with 2 films. One was pretty good, from an old master (and I do mean old), the other a sleeper, which was a pure delight. The films in question, were YOU WILL MEET A TALL DARK STRANGER directed by, WOODY ALLEN and JANIE JONES, written and directed by DAVID M. ROSENTHAL.
This is the third film, that the WOODMAN, has set in LONDON and it truly has an exemplary cast: ANTHONY HOPKINS, NAOMI WATTS, ANTONIO BANDERAS, JOSH BROLIN and someone we haven't seen in quite some time: GEMMA JONES - that's right, THE DUCHESS OF DUKE STREET, herself.
This film has to do with, fate, chance, and destiny and luck. I thought that the acting was excellent and it had lovely photography from ace do.p. VILMOS ZSIGMOND, just no point.
Now, on to our second film, which i must say caught me off-guard and was just some kind of wonderful. The film I'm getting so rhapsodic about, is JANIE JONES, starring ABIGAIL BRESLIN (in a standout performance), ELISABETH SHUE, ALESSANDRO NIVOLA and FRANK WHALEY (who's always good).
NIVOLA, plays a rocker, who finds out he sired a daughter, whose mother is SHUE. Slowly, father and daughter (who is also a singer), learn to trust each other, rely on each other and (of course), love each other.
The revelation of the movie, is BRESLIN, who gives a revelatory performance. She runs the gamut of emotions in the role, and she's a damn good singer, to boot.
The film also features, a fabulous soundtrack and I can't wait to down load it, on to my ipod.
There you have it folks, seventeen fest flicks in a nutshell. Once the dust has settled, all that's left is to give out my annual festival awards (THE CINEY'S) and to call it a wrap.
Until then my Cine Kinder,
T.T.F.N.
I finished this year's TIFFAPALOOZA, with 2 films. One was pretty good, from an old master (and I do mean old), the other a sleeper, which was a pure delight. The films in question, were YOU WILL MEET A TALL DARK STRANGER directed by, WOODY ALLEN and JANIE JONES, written and directed by DAVID M. ROSENTHAL.
This is the third film, that the WOODMAN, has set in LONDON and it truly has an exemplary cast: ANTHONY HOPKINS, NAOMI WATTS, ANTONIO BANDERAS, JOSH BROLIN and someone we haven't seen in quite some time: GEMMA JONES - that's right, THE DUCHESS OF DUKE STREET, herself.
This film has to do with, fate, chance, and destiny and luck. I thought that the acting was excellent and it had lovely photography from ace do.p. VILMOS ZSIGMOND, just no point.
Now, on to our second film, which i must say caught me off-guard and was just some kind of wonderful. The film I'm getting so rhapsodic about, is JANIE JONES, starring ABIGAIL BRESLIN (in a standout performance), ELISABETH SHUE, ALESSANDRO NIVOLA and FRANK WHALEY (who's always good).
NIVOLA, plays a rocker, who finds out he sired a daughter, whose mother is SHUE. Slowly, father and daughter (who is also a singer), learn to trust each other, rely on each other and (of course), love each other.
The revelation of the movie, is BRESLIN, who gives a revelatory performance. She runs the gamut of emotions in the role, and she's a damn good singer, to boot.
The film also features, a fabulous soundtrack and I can't wait to down load it, on to my ipod.
There you have it folks, seventeen fest flicks in a nutshell. Once the dust has settled, all that's left is to give out my annual festival awards (THE CINEY'S) and to call it a wrap.
Until then my Cine Kinder,
T.T.F.N.
Tuesday, September 21, 2010
DAY SEVEN OF TIFF
Well my little Cine Friskies, I'm back. After gaining a reasonable amount of shut-eye, I was able to see 3 films today - with eyes wide open!
The first film of the day was a comedy and was it ever welcome. The flick was called PEEP WORLD and was written and directed by BARRY BLAUSTEIN.
The film featured a really eclectic and eccentric cast: SARAH SILVERMAN, MICHAEL C. HALL, RON RIFKIN, STEPHEN TOBOLOWSKY AND LESLEY ANNE WARREN.
The film is basically a story of how a tell-all book, written by one family member, affects the family as a whole. While the film was not a wholly satisfactory experience, I mostly enjoyed it.
Film 2:
WHAT'S WRONG WITH VIRGINIA? - quite a bit as it turns out. This was one wacky film with a pedigreed cast (JENNIFER CONNELLY, ED HARRIS, AMY MADIGAN) and a wonko plot. This overbaked meller was the directorial debut of MILK writer, DUSTIN LANCE BLACK. The film is pretty bizarro and the participation of DAVID LYNCH, reminds one of last years, MY SON, MY SON, WHAT HAVE YOU DONE? (what indeed).
Film 3:
Now this film was certainly a treat. It was the new opus by TOM (RUN LOLA RUN) TYKVER.
The film is called 3 and it is beautifully acted, directed, and executed. it has some truly beautiful compositions, as it explores relationships in flux. This is a film put together with craft and care and the only way I can do justice to it, is by encouraging u to see it. Watch for this gem.
One more day...4 me,
Until then my Cine Friskies,
T.T.F.N.
The first film of the day was a comedy and was it ever welcome. The flick was called PEEP WORLD and was written and directed by BARRY BLAUSTEIN.
The film featured a really eclectic and eccentric cast: SARAH SILVERMAN, MICHAEL C. HALL, RON RIFKIN, STEPHEN TOBOLOWSKY AND LESLEY ANNE WARREN.
The film is basically a story of how a tell-all book, written by one family member, affects the family as a whole. While the film was not a wholly satisfactory experience, I mostly enjoyed it.
Film 2:
WHAT'S WRONG WITH VIRGINIA? - quite a bit as it turns out. This was one wacky film with a pedigreed cast (JENNIFER CONNELLY, ED HARRIS, AMY MADIGAN) and a wonko plot. This overbaked meller was the directorial debut of MILK writer, DUSTIN LANCE BLACK. The film is pretty bizarro and the participation of DAVID LYNCH, reminds one of last years, MY SON, MY SON, WHAT HAVE YOU DONE? (what indeed).
Film 3:
Now this film was certainly a treat. It was the new opus by TOM (RUN LOLA RUN) TYKVER.
The film is called 3 and it is beautifully acted, directed, and executed. it has some truly beautiful compositions, as it explores relationships in flux. This is a film put together with craft and care and the only way I can do justice to it, is by encouraging u to see it. Watch for this gem.
One more day...4 me,
Until then my Cine Friskies,
T.T.F.N.
Monday, September 20, 2010
DAY FIVE OF TIFF
Well, my Cine Kinder, it finally happened on Day 5, of TIFF - Yours Truly, hit the proverbial wall.
I was all excited to assay, DARREN ARANOFSKY'S latest flick, BLACK SWAN, starring NATALIE PORTMAN, as they say, the spirit is willing, but the flesh is weak. I missed it in a miasma of sleep.
Well, I still had a film to rush that day: BARNEY'S VERSION, starring Canada's own OLIVIER - PAUL GIAMATTI AND DIRECTED BY RICHARD LEWIS.
We'll I sort of made it. I was at the theatre, but I was drifting. I have to say, what I saw, I liked, i just didn't see enough.
Day 5, is over for me...sleep...precious sleep...
Until tomorrow...
T.T.F.N.
I was all excited to assay, DARREN ARANOFSKY'S latest flick, BLACK SWAN, starring NATALIE PORTMAN, as they say, the spirit is willing, but the flesh is weak. I missed it in a miasma of sleep.
Well, I still had a film to rush that day: BARNEY'S VERSION, starring Canada's own OLIVIER - PAUL GIAMATTI AND DIRECTED BY RICHARD LEWIS.
We'll I sort of made it. I was at the theatre, but I was drifting. I have to say, what I saw, I liked, i just didn't see enough.
Day 5, is over for me...sleep...precious sleep...
Until tomorrow...
T.T.F.N.
DAY FOUR OF TIFF
Well, my Cine Funsters, welcome to Day 4 of TIFF.
The first film was a super-hero spoof, appropriately titled: SUPER.
Talk about an eclectic cast: RAINN WILSON, KEVIN BACON, ELLEN PAGE, LIV TYLER (wow.)
The director is JAMES GUNN, who did his apprenticeship at the low-budget exploitation film house, TROMA (who could forget their classic films, THE TOXIC AVENGER and TROMEO AND JULIET.
It is a film which does a lot with a nothing budget. it is funny, sexy, gross, weird and surreal - sometimes all at the same time.
I must single out ELLEN PAGE, who steals the film and always commits 100% to whatever role, she is given. it's fun.
Film 2, was a doc with a long title, CLIENT 9: THE RISE AND FALL OF ELLIOT SPITZER.
Now, as a word of preface, I have to admit, I was nodding in and out during this film, so I may have missed some of its more salient points. The film was directed by the gifted filmmaker, ALEX GIBNEY, who directed one of my faves, THE SMARTEST MEN IN THE ROOM, and won an Academy Award, for TAXI TO THE DARK SIDE.
flick 2:
This movie was called, EVERYTHING MUST GO and was the feature directorial debut for DAN RUSH and starring WILL FERRELL, REBECCA HALL, STEPHEN ROOT (also featured in THE CONSPIRATOR, by the way.)
The movie which is based on a short-story by RAYMOND CARVER, tells the story of a man FERRELL,) who loses his job, girlfriend, home and lives outside his padlocked home.
FERRELL, is very good, the film itself, not so much. It's pretty depressing and slooooooow going.
however, there is a theory that any film that feature, I SHALL BE RELEASED BY THE BAND, can't be all bad, and so...
That's all, my Cine (A)migoes.
Until tomorrow,
T.T.F.N.
The first film was a super-hero spoof, appropriately titled: SUPER.
Talk about an eclectic cast: RAINN WILSON, KEVIN BACON, ELLEN PAGE, LIV TYLER (wow.)
The director is JAMES GUNN, who did his apprenticeship at the low-budget exploitation film house, TROMA (who could forget their classic films, THE TOXIC AVENGER and TROMEO AND JULIET.
It is a film which does a lot with a nothing budget. it is funny, sexy, gross, weird and surreal - sometimes all at the same time.
I must single out ELLEN PAGE, who steals the film and always commits 100% to whatever role, she is given. it's fun.
Film 2, was a doc with a long title, CLIENT 9: THE RISE AND FALL OF ELLIOT SPITZER.
Now, as a word of preface, I have to admit, I was nodding in and out during this film, so I may have missed some of its more salient points. The film was directed by the gifted filmmaker, ALEX GIBNEY, who directed one of my faves, THE SMARTEST MEN IN THE ROOM, and won an Academy Award, for TAXI TO THE DARK SIDE.
flick 2:
This movie was called, EVERYTHING MUST GO and was the feature directorial debut for DAN RUSH and starring WILL FERRELL, REBECCA HALL, STEPHEN ROOT (also featured in THE CONSPIRATOR, by the way.)
The movie which is based on a short-story by RAYMOND CARVER, tells the story of a man FERRELL,) who loses his job, girlfriend, home and lives outside his padlocked home.
FERRELL, is very good, the film itself, not so much. It's pretty depressing and slooooooow going.
however, there is a theory that any film that feature, I SHALL BE RELEASED BY THE BAND, can't be all bad, and so...
That's all, my Cine (A)migoes.
Until tomorrow,
T.T.F.N.
Sunday, September 19, 2010
DAY THREE OF TIFF
Welcome my little Cine Maniacs, to Day trois of TIFF (we do live in a bilingual country - n'est-ce-pas (Nescafe?) It was a very good day (indeed.)
The first film up was probably my personal favourite, it was ROBERT REDFORD'S magnificent film, THE CONSPIRATOR. Check out this cast list: ROBIN WRIGHT, TOM WILKINSON, JAMES MCAVOY, KEVIN KLINE, EVAN RACHEL-WOOD.
This movie - which is a masterpiece in my humble opinion - looks at the aftermath of Lincoln's assassination, and then subsequent trial of those who conspired in his demise. WRIGHT, in a masterful performance, plays a woman who runs the inn where the conspirators meet and so is thought to be guilty by association.
Special mention must be made to d.o.p. NEWTON THOMAS SIGEL, whose burnished tones are ravishing, by turns sepia-toned or sepulchral or muted. It is one of the most beautifully-shot films, I have ever seen.
The performances are top-notch across the board and REDFORD, has made his finest film, which found all of his glorious locations, in the state of Georgia. Simply flawless and fabulous.
On to film 2...
This one was made by one of my festival faves: ERROL MORRIS.
It is a simply delightful tale that proves that old adage:' truth is stranger than fiction.' The title is simplicity itself: TABLOID.
As a bonus, the film was shown at the brand-spanking new TIFF BELL LIGHTBOX. it is a magnificent venue that is catnip for film fans like me (for more info, check out info on TIFF 2010, website.)
The theatre that the film was shown in, was state of the art, with stereophonic sound, and very comfy seats.
Mr. MORRIS, was there to introduce the film, which has to be seen to be believed. Let's just say it has to do with, a beautiful blonde, Mormons, tabloid headlines, lurid sexual details, and puppy cloning (of course.)
That was day 3 in a nutshell, want more (see Day 4.)
Until tomorrow, my Cine Fellas,
T.T.F.N.
The first film up was probably my personal favourite, it was ROBERT REDFORD'S magnificent film, THE CONSPIRATOR. Check out this cast list: ROBIN WRIGHT, TOM WILKINSON, JAMES MCAVOY, KEVIN KLINE, EVAN RACHEL-WOOD.
This movie - which is a masterpiece in my humble opinion - looks at the aftermath of Lincoln's assassination, and then subsequent trial of those who conspired in his demise. WRIGHT, in a masterful performance, plays a woman who runs the inn where the conspirators meet and so is thought to be guilty by association.
Special mention must be made to d.o.p. NEWTON THOMAS SIGEL, whose burnished tones are ravishing, by turns sepia-toned or sepulchral or muted. It is one of the most beautifully-shot films, I have ever seen.
The performances are top-notch across the board and REDFORD, has made his finest film, which found all of his glorious locations, in the state of Georgia. Simply flawless and fabulous.
On to film 2...
This one was made by one of my festival faves: ERROL MORRIS.
It is a simply delightful tale that proves that old adage:' truth is stranger than fiction.' The title is simplicity itself: TABLOID.
As a bonus, the film was shown at the brand-spanking new TIFF BELL LIGHTBOX. it is a magnificent venue that is catnip for film fans like me (for more info, check out info on TIFF 2010, website.)
The theatre that the film was shown in, was state of the art, with stereophonic sound, and very comfy seats.
Mr. MORRIS, was there to introduce the film, which has to be seen to be believed. Let's just say it has to do with, a beautiful blonde, Mormons, tabloid headlines, lurid sexual details, and puppy cloning (of course.)
That was day 3 in a nutshell, want more (see Day 4.)
Until tomorrow, my Cine Fellas,
T.T.F.N.
Sunday, September 12, 2010
DAY TWO OF TIFF
Welcome my Cine buddies to Day 2 of TIFF. Today, I managed to assay 3 films and they were in the words of the great LARRY DAVID: pretty, pretty, pretty, good.
First on the agenda was a film I was hotly anticipating: JOHN CURRAN'S STONE, starring ROBERT DE NIRO and EDWARD NORTON. I love both actors and of course they were great together in THE SCORE, in which they co-starred with the late, great MARLON BRANDO.
O.K., so here's the premise: DE NIRO, is NORTON'S parole officer, he has come up for review, for his release, after a stint in prison. It is up to BOBBY (we're very close), to decide if NORTON gets his freedom. To sweeten the deal, NORTON throws in his sexpot wife, played by the alluring MILLA JOVOVICH. DE NIRO, is quite sexually-repressed and while at first he rejects JOVOVICH'S advances, soon push comes to shove (sorry,) and they get it on.
Well, I have to say that the pairing of these 2 actors does not yield the spark it should. The film is torn between being a standard action-thriller and an art house pic. The acting is uniformly-fine across the board - and that has to include the great FRANCES CONROY as DE NIRO'S wife. NORTON has another wacky voice that he pulls out of his repertoire and this time he sports corn-rows on his head. The script is unfortunately a little muddled and the message gets lost somewhere on the way to the screen.
There is some gorgeous photography, courtesy of the gifted D.O.P., MARYSE ALBERTI and some potent religious imagery, but on the whole it's a little heavy-handed and confused.
Film #2, was chosen by my buddy and I have to say it was a real unexpected delight.
The film is called NEDS (which stands for NON-EDUCATED DELINQUENTS,) and I have to say that it was a real surprise, in the best sense of the word.
The film was written and directed by PETER MULLAN, and he is definitely a talented bloke. MULLAN is known for his appearances in DANNY BOYLE'S SHALLOW GRAVE and TRAINSPOTTING, as well as KEN LOACH'S RIFF RAFF (which featured actors with such thick English accents, that it was dubbed!)
This film which is MULLAN'S third, is dubbed as well - although it just translates verbatim, without translating the vernacular phrases (interesting) - is an autobiographical look at his youth and what impact bullies have on a family and society. The film runs the gamut from funny, scary, violent to the surreal.
The reason the film is so memorable, is the bravura performance of CONOR MCCARRON, who goes through an unbelievable display of emotions. it is a complex role, sensitively handled and the film is just a gem that you must watch for if it gets a commercial release or probably on DVD.
Now, on to our third film which was an out and out delight.
It is MICHAEL WINTERBOTTOM'S THE TRIP, starring STEVE COOGAN and ROB BRYDON, who worked before with WINTERBOTTOM on one of my personal favourites, TRISTAM SHANDY: A COCK AND BULL STORY.
The story is simplicity enough: it is Messrs. COOGAN and BRYDON travelling through North London and eating and riffing and doing impressions (you judge who does the better MICHAEL CAINE - my vote goes to COOGAN,) and generally making me laugh my ass off.
COOGAN, seems to be the more melancholy sort, who is definitely not always on. BRYDON, on the other hand is a good-humoured bon vivant, who will do an impression (AL PACINO, DUSTIN HOFFMAN, SEAN CONNERY,) at the drop of a hat.
After the movie, BRYDON couldn't have been more gracious to my wife and I and seemed to be genuinely touched by my favourable comments on the film and he posed for a photo, with me and the missus. COOGAN, was affable, if less effusive and he too posed for a shot.
This was a great day folks and since they say good things come in threes - its on to Day 3.
Until tomorrow, TRIPLE F'S ( Fellow Film Followers,)
T.T.F.N.
First on the agenda was a film I was hotly anticipating: JOHN CURRAN'S STONE, starring ROBERT DE NIRO and EDWARD NORTON. I love both actors and of course they were great together in THE SCORE, in which they co-starred with the late, great MARLON BRANDO.
O.K., so here's the premise: DE NIRO, is NORTON'S parole officer, he has come up for review, for his release, after a stint in prison. It is up to BOBBY (we're very close), to decide if NORTON gets his freedom. To sweeten the deal, NORTON throws in his sexpot wife, played by the alluring MILLA JOVOVICH. DE NIRO, is quite sexually-repressed and while at first he rejects JOVOVICH'S advances, soon push comes to shove (sorry,) and they get it on.
Well, I have to say that the pairing of these 2 actors does not yield the spark it should. The film is torn between being a standard action-thriller and an art house pic. The acting is uniformly-fine across the board - and that has to include the great FRANCES CONROY as DE NIRO'S wife. NORTON has another wacky voice that he pulls out of his repertoire and this time he sports corn-rows on his head. The script is unfortunately a little muddled and the message gets lost somewhere on the way to the screen.
There is some gorgeous photography, courtesy of the gifted D.O.P., MARYSE ALBERTI and some potent religious imagery, but on the whole it's a little heavy-handed and confused.
Film #2, was chosen by my buddy and I have to say it was a real unexpected delight.
The film is called NEDS (which stands for NON-EDUCATED DELINQUENTS,) and I have to say that it was a real surprise, in the best sense of the word.
The film was written and directed by PETER MULLAN, and he is definitely a talented bloke. MULLAN is known for his appearances in DANNY BOYLE'S SHALLOW GRAVE and TRAINSPOTTING, as well as KEN LOACH'S RIFF RAFF (which featured actors with such thick English accents, that it was dubbed!)
This film which is MULLAN'S third, is dubbed as well - although it just translates verbatim, without translating the vernacular phrases (interesting) - is an autobiographical look at his youth and what impact bullies have on a family and society. The film runs the gamut from funny, scary, violent to the surreal.
The reason the film is so memorable, is the bravura performance of CONOR MCCARRON, who goes through an unbelievable display of emotions. it is a complex role, sensitively handled and the film is just a gem that you must watch for if it gets a commercial release or probably on DVD.
Now, on to our third film which was an out and out delight.
It is MICHAEL WINTERBOTTOM'S THE TRIP, starring STEVE COOGAN and ROB BRYDON, who worked before with WINTERBOTTOM on one of my personal favourites, TRISTAM SHANDY: A COCK AND BULL STORY.
The story is simplicity enough: it is Messrs. COOGAN and BRYDON travelling through North London and eating and riffing and doing impressions (you judge who does the better MICHAEL CAINE - my vote goes to COOGAN,) and generally making me laugh my ass off.
COOGAN, seems to be the more melancholy sort, who is definitely not always on. BRYDON, on the other hand is a good-humoured bon vivant, who will do an impression (AL PACINO, DUSTIN HOFFMAN, SEAN CONNERY,) at the drop of a hat.
After the movie, BRYDON couldn't have been more gracious to my wife and I and seemed to be genuinely touched by my favourable comments on the film and he posed for a photo, with me and the missus. COOGAN, was affable, if less effusive and he too posed for a shot.
This was a great day folks and since they say good things come in threes - its on to Day 3.
Until tomorrow, TRIPLE F'S ( Fellow Film Followers,)
T.T.F.N.
Saturday, September 11, 2010
DAY ONE OF TIFF 2010
Well, my little Cine maniacs, welcome to Day 1 of the festival. now in reality today is actually Day 2 of TIFF, but for yours truly it's Day Uno.
O.K., so my first flick of TIFF 2010, was a Canuck one and it was a real sleeper. It was called, DAYDREAM NATION and it really rocked and marked an audacious and auspicious start for it's writer-director, MIKE GOLBACH.
The film is kinda hard to describe: it's sorta JOHN HUGHES meets DAVID LYNCH with a healthy dose of HEATHERS.
KAT DENNINGS, in a tour de force performance, plays the new girl in a small-town Ontario town. She is a misfit, who does not fit in and so she chooses to seduce her hunky teacher to stir things up. DENNINGS, is by turns sexy, seductive, alluring and beguiling, sometimes in the same scene.
GOLDBACH'S script is an interesting amalgam of ideas and one of it's great strengths, besides being so visually stunning is it's unpredictability. It is that rare film that besides being hilarious has a palpable sense of menace.
The cast is uniformly fine but special kudos have to go out to REECE THOMPSON, JOSH LUCAS and in a fine supporting role, ANDIE MACDOWELL (that's right TVs hair babe, who's come a long way since her film GREYSTOKE, in which her southern accent was considered so thick, she was badly dubbed by GLENN CLOSE, in post - talk about damages.)
A great start...next!
Well, the second film is in a category all it's own. I have to say upfront, that I was highly anticipating this flick. The movie is called, I'M STILL HERE, which is the story of the aborted, hip hop career, of JOAQUIN PHOENIX, as documented by his brother-in-law CASEY AFFLECK (those AFFLECK'S are spawning faster than the BALDWIN BROS!)
The first hint that this documentary was scripted, is that it has a written by, credit. Also, at the end it has a cast list - hmmmmmm.
I can't say, I'm sorry I saw the film, but I also can't say it was a very pleasant experience. If you enjoy seeing a bloated self-loathing and pot smoking JOAQUIN, not to mention male genitalia, puking and defecating, then dude, this is the film for you. However, if you prefer a coherent doc, with a point of view, well...not.
Anyways, Day 2 tomorrow, who knows what the day will bring.
Until next time TIFFsters,
T.T.F.N.
O.K., so my first flick of TIFF 2010, was a Canuck one and it was a real sleeper. It was called, DAYDREAM NATION and it really rocked and marked an audacious and auspicious start for it's writer-director, MIKE GOLBACH.
The film is kinda hard to describe: it's sorta JOHN HUGHES meets DAVID LYNCH with a healthy dose of HEATHERS.
KAT DENNINGS, in a tour de force performance, plays the new girl in a small-town Ontario town. She is a misfit, who does not fit in and so she chooses to seduce her hunky teacher to stir things up. DENNINGS, is by turns sexy, seductive, alluring and beguiling, sometimes in the same scene.
GOLDBACH'S script is an interesting amalgam of ideas and one of it's great strengths, besides being so visually stunning is it's unpredictability. It is that rare film that besides being hilarious has a palpable sense of menace.
The cast is uniformly fine but special kudos have to go out to REECE THOMPSON, JOSH LUCAS and in a fine supporting role, ANDIE MACDOWELL (that's right TVs hair babe, who's come a long way since her film GREYSTOKE, in which her southern accent was considered so thick, she was badly dubbed by GLENN CLOSE, in post - talk about damages.)
A great start...next!
Well, the second film is in a category all it's own. I have to say upfront, that I was highly anticipating this flick. The movie is called, I'M STILL HERE, which is the story of the aborted, hip hop career, of JOAQUIN PHOENIX, as documented by his brother-in-law CASEY AFFLECK (those AFFLECK'S are spawning faster than the BALDWIN BROS!)
The first hint that this documentary was scripted, is that it has a written by, credit. Also, at the end it has a cast list - hmmmmmm.
I can't say, I'm sorry I saw the film, but I also can't say it was a very pleasant experience. If you enjoy seeing a bloated self-loathing and pot smoking JOAQUIN, not to mention male genitalia, puking and defecating, then dude, this is the film for you. However, if you prefer a coherent doc, with a point of view, well...not.
Anyways, Day 2 tomorrow, who knows what the day will bring.
Until next time TIFFsters,
T.T.F.N.
Tuesday, August 31, 2010
SUMMER WRAP AND ON TO TIFF
Well, Cinemuchnicks, that was the (film) summer that was. the last time you heard from your intrepid reporter, I believe I was raving about INCEPTION.
Let's just say that the second half of the summer, was better than the first half and damn it with faint praise.
Let's see: I did enjoy, SALT, which had some decent action and some good twists - who knew that the double agents name would turn out to be MORTON???
I absolutely loved the doc on JOAN RIVERS and thought it was one of the funniest movies of the year.
There is an indie flick called, THE INFIDEL, that was very funny as well.
Now, the 35Th edition of TIFF, is soon upon us. It must be time for my tiff pix picks:
This year so far nothing is a big must-see, though some of the flix look tres interesante. To wit:
1) I'M STILL HEREI - This film promises to be a wonderful train-wreck. It is directed by CASEY AFFLECK, and is a mocu about his uber-weird bro-in-law JOAQUIN PHOENIX. I'm a deer-in-headlights, for this one.
2) STONE - Starring 2 of our greatest actors, of two different generations - ROBERT DE NIRO and EDWARD NORTON, JOHN CURRAN'S psychological drama, looks very-interesting on paper (and hopefully on the screen as well).
3) THE TRIP - O.K. we got STEVE COOGAN and ROB BRYDON directed again by MICHAEL WINTERBOTTOM. I'm so there.
4) TABLOID - ERROL MORRIS ('nuff said).
5) SUPER - RAINN WILSON, as a faux super-hero, with Canada's own ELLEN PAGE, along for the ride, Count me in.
6) CLIENT 9: THE RISE AND FALL OF ELIOT SPITZER Sounds like a great doc and it's from the director of the ENRON movie, ALEX GIBNEY.
7) BLACK SWAN - ARONOFSKY'S back, with a psycho-flick set in the dance world. Yes please.
8) ROUTE IRISH - LOACH & LAVERTY= MAGIC.
9) CASINO JACK - KEVIN (SOZE) SPACEY, as JACK ABRAMOFF. Sez it all.
10) 127 HOURS - JAMES FRANCO as the dude who cut-off his arm on the mountain. directed by DANNY BOYLE. Count me in.
That should get you movie dudes salivating. As per usual, I will be doing a daily blog during the fest.
Oh, yeah all this and THE BELL LIGHTBOX opens as well.
I can't wait...
Until we meet again mon petit chien,
T.T.F.N.
Let's just say that the second half of the summer, was better than the first half and damn it with faint praise.
Let's see: I did enjoy, SALT, which had some decent action and some good twists - who knew that the double agents name would turn out to be MORTON???
I absolutely loved the doc on JOAN RIVERS and thought it was one of the funniest movies of the year.
There is an indie flick called, THE INFIDEL, that was very funny as well.
Now, the 35Th edition of TIFF, is soon upon us. It must be time for my tiff pix picks:
This year so far nothing is a big must-see, though some of the flix look tres interesante. To wit:
1) I'M STILL HEREI - This film promises to be a wonderful train-wreck. It is directed by CASEY AFFLECK, and is a mocu about his uber-weird bro-in-law JOAQUIN PHOENIX. I'm a deer-in-headlights, for this one.
2) STONE - Starring 2 of our greatest actors, of two different generations - ROBERT DE NIRO and EDWARD NORTON, JOHN CURRAN'S psychological drama, looks very-interesting on paper (and hopefully on the screen as well).
3) THE TRIP - O.K. we got STEVE COOGAN and ROB BRYDON directed again by MICHAEL WINTERBOTTOM. I'm so there.
4) TABLOID - ERROL MORRIS ('nuff said).
5) SUPER - RAINN WILSON, as a faux super-hero, with Canada's own ELLEN PAGE, along for the ride, Count me in.
6) CLIENT 9: THE RISE AND FALL OF ELIOT SPITZER Sounds like a great doc and it's from the director of the ENRON movie, ALEX GIBNEY.
7) BLACK SWAN - ARONOFSKY'S back, with a psycho-flick set in the dance world. Yes please.
8) ROUTE IRISH - LOACH & LAVERTY= MAGIC.
9) CASINO JACK - KEVIN (SOZE) SPACEY, as JACK ABRAMOFF. Sez it all.
10) 127 HOURS - JAMES FRANCO as the dude who cut-off his arm on the mountain. directed by DANNY BOYLE. Count me in.
That should get you movie dudes salivating. As per usual, I will be doing a daily blog during the fest.
Oh, yeah all this and THE BELL LIGHTBOX opens as well.
I can't wait...
Until we meet again mon petit chien,
T.T.F.N.
Friday, July 16, 2010
INCEPTION: DIDN'T IT BLOW MY MIND
Well my Cinefunksters, much like General Douglas Mccarthur, "I have returned," and as they say, this time it's ''personal.''
Let's face it: this summer has in a word: suuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuucked! Oh, sure there were a few bits of gold amid the dross. I have to admit I did enjoy, IRON MAN 2, and GET 'EM TO THE GREEK, and NIGHT AND DAY (yeah, I said it), and I loved THE GIRL WITH THE DRAGON TATTOO and THE GIRL WHO PLAYED WITH FIRE - memo to FINCHER, don't bother, you'll never find a SALANDER as wonderful and delicious as NOOMI RAPACE - and most of THE KIDS ARE ALL RIGHT (but that ending, oh, that ending).
So, what brought me back: I can tell you that in one word: INCEPTION.
CHORUS: INCEPTION! INCEPTION! INCEPTION! INCEPTION!
But, I digest. This of course is the hotly anticipated blockbuster by cinematic wunderkind, CHRISTOPHER NOLAN, he of THE DARK KNIGHT AND MEMENTO fame. This movie which was written and directed by Mr. NOLAN, is quite simply a mind-blower.
There is no way to really give a synopsis of the plot and do it justice. The film has to do with entering the dreams of others and what happens next. What I can say is that the imagery is stunning and the movie was shot on some of the most breath-taking sites of the world (including our own Alberta).
The cast is uniformly fine, lead by LEONARDO DI CAPRIO, ably assisted by KEN WATANABE, JOSEPH GORDON-LEVITT, MARION COTILLARD, MICHAEL CAINE, and Canada's own ELLEN N PAGE.
This film is simply a must-see (I myself plan to see it to see it several more times), if you can do see it in IMAX, as I did, It will blow your mind.
Until next time Mon petite chien...
T.T.F.N.
Let's face it: this summer has in a word: suuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuucked! Oh, sure there were a few bits of gold amid the dross. I have to admit I did enjoy, IRON MAN 2, and GET 'EM TO THE GREEK, and NIGHT AND DAY (yeah, I said it), and I loved THE GIRL WITH THE DRAGON TATTOO and THE GIRL WHO PLAYED WITH FIRE - memo to FINCHER, don't bother, you'll never find a SALANDER as wonderful and delicious as NOOMI RAPACE - and most of THE KIDS ARE ALL RIGHT (but that ending, oh, that ending).
So, what brought me back: I can tell you that in one word: INCEPTION.
CHORUS: INCEPTION! INCEPTION! INCEPTION! INCEPTION!
But, I digest. This of course is the hotly anticipated blockbuster by cinematic wunderkind, CHRISTOPHER NOLAN, he of THE DARK KNIGHT AND MEMENTO fame. This movie which was written and directed by Mr. NOLAN, is quite simply a mind-blower.
There is no way to really give a synopsis of the plot and do it justice. The film has to do with entering the dreams of others and what happens next. What I can say is that the imagery is stunning and the movie was shot on some of the most breath-taking sites of the world (including our own Alberta).
The cast is uniformly fine, lead by LEONARDO DI CAPRIO, ably assisted by KEN WATANABE, JOSEPH GORDON-LEVITT, MARION COTILLARD, MICHAEL CAINE, and Canada's own ELLEN N PAGE.
This film is simply a must-see (I myself plan to see it to see it several more times), if you can do see it in IMAX, as I did, It will blow your mind.
Until next time Mon petite chien...
T.T.F.N.
Friday, May 14, 2010
SEQUELPALOOZA
Well, my Cinefishies, it seems like the blockbuster season is soon upon us, as films vie for box office supremacy. First out of the box this year is IRON MAN, directed by JON FAVREAU and starring ROBERT DOWNEY JR. and GWYNETH PALTROW, and this time the special guest villain is played by MICKEY ROURKE.
Now, when the first IRON MAN, opened, it caught alot of people off-guard and made a ton of moolah. This time they have lavished more time and money and upped the spfx, but is it any good?
Well, I have to say that personally, I enjoyed it. Now, mind you, it was not as good as part 1 (now class, join me in counting the sequels that were better than the original: GODFATHER PART2 (the only sequel to ever win best picture), ALIENS, SUPERMAN PART 2,LETHAL WEAPON PART 2, - I think that's about it).
Filmmakers, always think that bigger is better when it comes to sequels and that is not necessarily true. This film which is granted a little bloated and sure takes its own sweet time, until it gets going, gets by on the charm of DOWNEY and PALTROW. Their verbal sparring is very enjoyable and adds to the films enjoyment.
ROURKE, is definitely a formidable foe and all in all its a fun popcorn film - go see it.
Until next time...
T.T.F.N.
Now, when the first IRON MAN, opened, it caught alot of people off-guard and made a ton of moolah. This time they have lavished more time and money and upped the spfx, but is it any good?
Well, I have to say that personally, I enjoyed it. Now, mind you, it was not as good as part 1 (now class, join me in counting the sequels that were better than the original: GODFATHER PART2 (the only sequel to ever win best picture), ALIENS, SUPERMAN PART 2,LETHAL WEAPON PART 2, - I think that's about it).
Filmmakers, always think that bigger is better when it comes to sequels and that is not necessarily true. This film which is granted a little bloated and sure takes its own sweet time, until it gets going, gets by on the charm of DOWNEY and PALTROW. Their verbal sparring is very enjoyable and adds to the films enjoyment.
ROURKE, is definitely a formidable foe and all in all its a fun popcorn film - go see it.
Until next time...
T.T.F.N.
Friday, April 30, 2010
DISPATCHES FROM THE TORONTO JEWISH FILM FESTIVAL 2010
Well, my Cinekinder, I have just returned fron the 18th annual T.O. Jewish Film Fest and as always it was a very interesting experience. I saw a total 0f six films, this year of varied content and genre and they were in order of viewing...
The first film we saw was on opening night (...it's opening night, it's opening night...), was just delightful. it was called, A MATTER OF SIZE (SIPPUR GADOL), directed by SHARON MAYMON and EREZ TADMOR. It took us in to the subculture of the sumo wrestler, and it was wonderful. Cleverly, they had a demo of sumo skills before the film, to prep us for the delights ahead.
Our next film was about all the creative movie talent, who escaped from Eastern Europe during WW2 and made there way to America. It was called, CINEMA'S EXILES: FROM HITLER TO HOLLYWOOD, directed by KAREN THOMAS. Being a movie-guy, this flick was a natural for me, and it was very well-made. Such well-known directors as BILLY WILDER, FRED ZINNEMAN, FRITZ LANG, and actors like PETER LORRE, fled to the USA, to flee Hitler's wrath.
Next up, was a panel discussion about Jews and comic books. This tied in to the major theme of the festival, which was cleverly titled: PEOPLE OF THE (COMIC ) BOOK. The panel was composed of personal favourite), HARVEY PEKAR, PAUL BUHLE and BEN KATCHOR. The discussion was a little on the dull side, but the highlight was talking to Harvey himself, after bthe forum. After getting his autograph, my wife, Julia and I told him how much we enjoyed, the movie, AMERICAN SPLENDOR, starrring PAUL GIAMATTI, as PEKAR. We asked if the movie helped his public profile? He said it did for sure and that it also led to GIAMATTI, getting more challenging roles. he also had soms dish for us: apparently his real-lie wife, did not get along with his celluloid wife, HOPE DAVIS (interesting). Mr. PEKAR, could not have been more gracious, meeting him was a highlight for both of us.
Next up was a film, I was really excited about, it was directed by, SUSAN WARMS DRYFOOS, and it was called THE LINE KING. It told the story of AL HIRSCHFIELD, who recently passed away at almost 100 years old. AL, was venerated for his caricatures in the Arts and Leisure section. of the Sunday New York Times.
I have followed HIRSCFIELD, for years and was much-beloved by the celebrities, he drew. Some of them were feartured in the film: CAROL CHANNING, KATHERINE HEPBURN and COLLEEN DEWHURST, to name just a few. His story is the story of Broadway itself and the documentary was a fabulous look at a gifted artist whose work was above all not mean and fun (and who among us has not looked for NINA'S in his artwork?
Next up, was BERLIN '36, which I mostly slept through (see program for synopsis. My wife loved it though.
The last film was indeed a highlight. It was a special, second screening of NUREMBERG: IT'S LESSON FOR TODAY(1948), THE SCHULBERG/WALETZKY RESTORATION. This was an incredible film that was document about the NUREMBERG TRIALS, that had been written and directed by STEWART SCHULBERG, based on research done by him and his brother BUDD. The film was commissioned by the US Government and then suppressed, until now. It has been restored by STEWART'S daughter, SANDRA and JOSH WALETZKY.
The film shows the trial and all that unfolded there. It shows many of the atrocities that were perpetrated by the Nazis and was a times very hard to watch. At the end the Nazi defendants, deniedany knowledge of what was going on, under their noses. That would include Hitler's number two, three and four men. Almost all of them were found guilty and hung.
This is an important historical document that must be seen and should be seen. SANDRA, who attended the screening said it would open in NYC in Sept. and hopefully a DVD release would follow.
All in all a splendid Fest, and we all lookk forward to number nineteen next year, on to TIFF 2010, and to theTJFF, mazel tov on your 18th (chai) year.
Until next time Cinefriskies...
T.T.F.N.
The first film we saw was on opening night (...it's opening night, it's opening night...), was just delightful. it was called, A MATTER OF SIZE (SIPPUR GADOL), directed by SHARON MAYMON and EREZ TADMOR. It took us in to the subculture of the sumo wrestler, and it was wonderful. Cleverly, they had a demo of sumo skills before the film, to prep us for the delights ahead.
Our next film was about all the creative movie talent, who escaped from Eastern Europe during WW2 and made there way to America. It was called, CINEMA'S EXILES: FROM HITLER TO HOLLYWOOD, directed by KAREN THOMAS. Being a movie-guy, this flick was a natural for me, and it was very well-made. Such well-known directors as BILLY WILDER, FRED ZINNEMAN, FRITZ LANG, and actors like PETER LORRE, fled to the USA, to flee Hitler's wrath.
Next up, was a panel discussion about Jews and comic books. This tied in to the major theme of the festival, which was cleverly titled: PEOPLE OF THE (COMIC ) BOOK. The panel was composed of personal favourite), HARVEY PEKAR, PAUL BUHLE and BEN KATCHOR. The discussion was a little on the dull side, but the highlight was talking to Harvey himself, after bthe forum. After getting his autograph, my wife, Julia and I told him how much we enjoyed, the movie, AMERICAN SPLENDOR, starrring PAUL GIAMATTI, as PEKAR. We asked if the movie helped his public profile? He said it did for sure and that it also led to GIAMATTI, getting more challenging roles. he also had soms dish for us: apparently his real-lie wife, did not get along with his celluloid wife, HOPE DAVIS (interesting). Mr. PEKAR, could not have been more gracious, meeting him was a highlight for both of us.
Next up was a film, I was really excited about, it was directed by, SUSAN WARMS DRYFOOS, and it was called THE LINE KING. It told the story of AL HIRSCHFIELD, who recently passed away at almost 100 years old. AL, was venerated for his caricatures in the Arts and Leisure section. of the Sunday New York Times.
I have followed HIRSCFIELD, for years and was much-beloved by the celebrities, he drew. Some of them were feartured in the film: CAROL CHANNING, KATHERINE HEPBURN and COLLEEN DEWHURST, to name just a few. His story is the story of Broadway itself and the documentary was a fabulous look at a gifted artist whose work was above all not mean and fun (and who among us has not looked for NINA'S in his artwork?
Next up, was BERLIN '36, which I mostly slept through (see program for synopsis. My wife loved it though.
The last film was indeed a highlight. It was a special, second screening of NUREMBERG: IT'S LESSON FOR TODAY(1948), THE SCHULBERG/WALETZKY RESTORATION. This was an incredible film that was document about the NUREMBERG TRIALS, that had been written and directed by STEWART SCHULBERG, based on research done by him and his brother BUDD. The film was commissioned by the US Government and then suppressed, until now. It has been restored by STEWART'S daughter, SANDRA and JOSH WALETZKY.
The film shows the trial and all that unfolded there. It shows many of the atrocities that were perpetrated by the Nazis and was a times very hard to watch. At the end the Nazi defendants, deniedany knowledge of what was going on, under their noses. That would include Hitler's number two, three and four men. Almost all of them were found guilty and hung.
This is an important historical document that must be seen and should be seen. SANDRA, who attended the screening said it would open in NYC in Sept. and hopefully a DVD release would follow.
All in all a splendid Fest, and we all lookk forward to number nineteen next year, on to TIFF 2010, and to theTJFF, mazel tov on your 18th (chai) year.
Until next time Cinefriskies...
T.T.F.N.
Friday, April 16, 2010
''DATE NIGHT" IS A DELIGHT
Well, my cinepeeps, I saw a truly hilarious film, last week and I have to recommend it highly, to one and all. As u can tell by my header, it was DATE NIGHT, directed by SHAWN LEVY, and starring that (dynamic) comedy duo, STEVE CARELL and TINA FEY.
Now, I have 2 admit, I was a little trepidacious (if it's not a word, it is now), before I saw this flick, because, the trailers made it look like pretty standard sitcom-fodder, but I have to agree with the rapturous reviews, it is hilarious.
One of the reasons it is so funny is because both of the stars are such able farceurs and improvisers. I think we can tell by the outtakes at the end, that the script was basically thrown out, all for the good of the film. FEY and CARELL, seem to make it up as they go along, and we're along with them for the ride the whole way.
The plot really doesn't matter, lets just say that there is lots of laffs, along the way, as well as some surprises and a chase sequence midway , that u need to see to be believed. At one point, I nearly fell out of my chair (which I did, near the end of CARRELL'S GET SMART.
Now, I have 2 admit, I was a little trepidacious (if it's not a word, it is now), before I saw this flick, because, the trailers made it look like pretty standard sitcom-fodder, but I have to agree with the rapturous reviews, it is hilarious.
One of the reasons it is so funny is because both of the stars are such able farceurs and improvisers. I think we can tell by the outtakes at the end, that the script was basically thrown out, all for the good of the film. FEY and CARELL, seem to make it up as they go along, and we're along with them for the ride the whole way.
The plot really doesn't matter, lets just say that there is lots of laffs, along the way, as well as some surprises and a chase sequence midway , that u need to see to be believed. At one point, I nearly fell out of my chair (which I did, near the end of CARRELL'S GET SMART.
Tuesday, March 30, 2010
''SMART'' ART AND YOUNG FRANKEN-''SCHTICK''
Well, my Cinepeeps, its time to put on my ''theatuh" cap as I look at 2 current offerings in the big smoke. The first is YASMINA REZA'S ART and the second is MEL BROOK'S YOUNG FRANKENSTEIN.
Let's look at ART, first. I had already seen a previous production of ART, in Toronto, starring the redoubtable R.H. THOMSON, which I remember having thoroughly enjoyed. I was also fortunate to see, YASMINA REZA'S fabulous and hilarious TONY AWARD winner, GOD OF CARNAGE, starring TONY SOPRANO, himself, JAMES GANDOLFINI, and MARCIA GAY HARDEN, in her own TONY AWARD winning performance. REZA, also won the TONY, FOR ART.
This production stars, COLIN MOCHRIE, who is sensational. The rest of the chamber-piece cast is composed of PETER DONALDSON and EVAN BULIUNG (I had to make sure that I spelled that last name correctly, und I did).
The play is the story of how 3 friends come to blows over the purchase one of them makes of a work or art, for an exorbitant price. The play is by turns funny, serious, sad, surreal and satirical. The performances are superb, under the direction of THE CANADIAN STAGE COMPANY'S resident renaissance man, MORRIS PANYCH.
The play has a number of relevant themes: what is art? the dynamics of friendship, honesty among friends etc. All of these topics are handled by REZA, in nothing less than a very entertaining manner.
The entire ensemble is superb, but MOCHRIE, is the real stand-out. He gives a bravura performance that has been justly lauded. It is quite simply 90 minutes (no intermission, non-needed), of sublime theatre.
...from the sublime...
The next night I saw MEL BROOK'S YOUNG FRANKENSTEIN, directed and choreographed, by the multi-talented and award-winning, SUSAN STROMAN (THE PRODUCERS, CRAZY FOR YOU), and starring the hilarious ROGER BART, who originated the role on Broadway (as he did the role of CARMEN GHIA, in BROOK'S THE PRODUCERS).
Now, I have to admit that I laughed quite a bit at this production, (I'm a huge fan of the movie and as my wife, Julia, will tell you I quote from it all the time). The last time BROOK'S had a show on Broadway, it set TONY AWARD history, by winning the most ever.
Lightning did not strike twice...
The cast is very good with standouts being, besides BART, CORY ENGLISH, as IGOR (it's pronounced EYE-GORE), BRAD OSCAR, as INSPECTOR KEMP and THE HERMIT (hilariously assayed by an unrecognizable GENE HACKMAN, in the movie), BETH CURRY ( a stand-out in the late-great MADELINE KHAN, fiancee role), JOANNA GLUSHAK, as FRAU BLUCHER,(cue the horses), and ANNE HORAK as INGA (''what knockers!- sank u."). BART, as mentioned is fabulous and his line-readings and utter-lunacy, make it a show worth seeing.
The singing, choreography costumes and scenery are all top draw by Broadway pros.
So, what's the caveat? I guess it comes down to the script. In MR. BROOKS'S hands, this show seems to take place in THE CATSKILLS, and not TRANSYLVANIA. It is so full of shtick and groan-inducing one-liners, that I was waiting for SHECKY GREENE, to walk on to the stage. Everyone become MEL BROOK'S, in this show and that's not necessarily a good thing. As mentioned, I laughed at this show, but I cried at THE PRODUCERS, I laughed so hard.
...better luck Mel, with BLAZING SADDLES...
...UNTIL NEXT TIME...
T.T.F.N.
Let's look at ART, first. I had already seen a previous production of ART, in Toronto, starring the redoubtable R.H. THOMSON, which I remember having thoroughly enjoyed. I was also fortunate to see, YASMINA REZA'S fabulous and hilarious TONY AWARD winner, GOD OF CARNAGE, starring TONY SOPRANO, himself, JAMES GANDOLFINI, and MARCIA GAY HARDEN, in her own TONY AWARD winning performance. REZA, also won the TONY, FOR ART.
This production stars, COLIN MOCHRIE, who is sensational. The rest of the chamber-piece cast is composed of PETER DONALDSON and EVAN BULIUNG (I had to make sure that I spelled that last name correctly, und I did).
The play is the story of how 3 friends come to blows over the purchase one of them makes of a work or art, for an exorbitant price. The play is by turns funny, serious, sad, surreal and satirical. The performances are superb, under the direction of THE CANADIAN STAGE COMPANY'S resident renaissance man, MORRIS PANYCH.
The play has a number of relevant themes: what is art? the dynamics of friendship, honesty among friends etc. All of these topics are handled by REZA, in nothing less than a very entertaining manner.
The entire ensemble is superb, but MOCHRIE, is the real stand-out. He gives a bravura performance that has been justly lauded. It is quite simply 90 minutes (no intermission, non-needed), of sublime theatre.
...from the sublime...
The next night I saw MEL BROOK'S YOUNG FRANKENSTEIN, directed and choreographed, by the multi-talented and award-winning, SUSAN STROMAN (THE PRODUCERS, CRAZY FOR YOU), and starring the hilarious ROGER BART, who originated the role on Broadway (as he did the role of CARMEN GHIA, in BROOK'S THE PRODUCERS).
Now, I have to admit that I laughed quite a bit at this production, (I'm a huge fan of the movie and as my wife, Julia, will tell you I quote from it all the time). The last time BROOK'S had a show on Broadway, it set TONY AWARD history, by winning the most ever.
Lightning did not strike twice...
The cast is very good with standouts being, besides BART, CORY ENGLISH, as IGOR (it's pronounced EYE-GORE), BRAD OSCAR, as INSPECTOR KEMP and THE HERMIT (hilariously assayed by an unrecognizable GENE HACKMAN, in the movie), BETH CURRY ( a stand-out in the late-great MADELINE KHAN, fiancee role), JOANNA GLUSHAK, as FRAU BLUCHER,(cue the horses), and ANNE HORAK as INGA (''what knockers!- sank u."). BART, as mentioned is fabulous and his line-readings and utter-lunacy, make it a show worth seeing.
The singing, choreography costumes and scenery are all top draw by Broadway pros.
So, what's the caveat? I guess it comes down to the script. In MR. BROOKS'S hands, this show seems to take place in THE CATSKILLS, and not TRANSYLVANIA. It is so full of shtick and groan-inducing one-liners, that I was waiting for SHECKY GREENE, to walk on to the stage. Everyone become MEL BROOK'S, in this show and that's not necessarily a good thing. As mentioned, I laughed at this show, but I cried at THE PRODUCERS, I laughed so hard.
...better luck Mel, with BLAZING SADDLES...
...UNTIL NEXT TIME...
T.T.F.N.
Wednesday, March 24, 2010
SEX! DRUGS! AND RUNAWAYS!
Well, Cinefamilia, I have to say that I recently saw a movie, that really rocks and that movie was, THE RUNAWAYS, written and directed by Toronto's own, FLORIA SIGISMONDI and featuring KRISTEN STEWART as JOAN JETT, of the proto-punk all-female band, THE RUNAWAYS and in a revelatory performance, DAKOTA FANNING as her band mate, CHERIE CURRIE.
I have seen a lot of rock bios, in my time and you wouldn't think there would be too much new under the sun, to show, except the usual rock-movie cliches. However, this movie has a fresh take on things as it charts the rise and fall of THE RUNAWAYS, who are probably remembered mostly for their one-hit wonder, CHERRY BOMB.
SIGISMONDI, obviously has talent to burn and she uses a lot of visual gimmickry to gussy up, her low-budget flick. The camera becomes like the members of the band as it takes us on the drug-addled trip of the group. She shows us the ups and downs of a rock-band very-convincingly and with great attention paid to the rock scene in the 70's. While the film does a very-good job of portraying the friendship of CURRIE and JETT, my one caveat might be that the script, also written by SIGISMONDI, doesn't tell us too much about the other band members, including the future metal queen herself, LITA FORD.
As I previously mentioned, FANNING, acquits herself extremely well as the waifish CHERIE CURRIE. She is by turns vulnerable, sexy, funny, and coltish, sometimes in the same scene. KRISTEN STEWART, who was also very good, in GREG MOTTOLA'S criminally-underrrated ADVENTURELAND, is also very good in the less-flashy roll of JOAN JETT.
Special mention, must also be made of MICHAEL SHANNON, who plays their svengaliesque, manager, KIM FOWLEY. SHANNON, gives a bravura performance, sad, funny, menacing. He doesn't just chew the scenery, he chews it up and spits it out.
The music is also very good and it too like the movie, really rocks.
THE RUNAWAYS, the band maybe a small footnote in music history, but the movie deserves to go to the very top echelon of movie bios.
...UNTIL NEXT TIME...
...KEEP ON ROCKING IN THE FREE WORLD...
T.T.F.N.
I have seen a lot of rock bios, in my time and you wouldn't think there would be too much new under the sun, to show, except the usual rock-movie cliches. However, this movie has a fresh take on things as it charts the rise and fall of THE RUNAWAYS, who are probably remembered mostly for their one-hit wonder, CHERRY BOMB.
SIGISMONDI, obviously has talent to burn and she uses a lot of visual gimmickry to gussy up, her low-budget flick. The camera becomes like the members of the band as it takes us on the drug-addled trip of the group. She shows us the ups and downs of a rock-band very-convincingly and with great attention paid to the rock scene in the 70's. While the film does a very-good job of portraying the friendship of CURRIE and JETT, my one caveat might be that the script, also written by SIGISMONDI, doesn't tell us too much about the other band members, including the future metal queen herself, LITA FORD.
As I previously mentioned, FANNING, acquits herself extremely well as the waifish CHERIE CURRIE. She is by turns vulnerable, sexy, funny, and coltish, sometimes in the same scene. KRISTEN STEWART, who was also very good, in GREG MOTTOLA'S criminally-underrrated ADVENTURELAND, is also very good in the less-flashy roll of JOAN JETT.
Special mention, must also be made of MICHAEL SHANNON, who plays their svengaliesque, manager, KIM FOWLEY. SHANNON, gives a bravura performance, sad, funny, menacing. He doesn't just chew the scenery, he chews it up and spits it out.
The music is also very good and it too like the movie, really rocks.
THE RUNAWAYS, the band maybe a small footnote in music history, but the movie deserves to go to the very top echelon of movie bios.
...UNTIL NEXT TIME...
...KEEP ON ROCKING IN THE FREE WORLD...
T.T.F.N.
Wednesday, March 10, 2010
POLANSKI'S PROGRESS
Well, Cineguys and gals, this is my first post-Oscar posting (and three cheers for KATHRYN BIGELOW and THE HURT LOCKER), and I'm proud to report, I have seen the best film of the year to date, in this admittedly short year: THE GHOST WRITER, masterfully directed by ROMAN POLANSKI, who just picked up a SILVER BEAR, at the BERLIN FILM FESTIVAL, for directing it.
The film which is based on the book by ROBERT HARRIS, (he also had a hand in the screenplay too), THE GHOST, stars EWAN MCGREGGOR, PIERCE BROSNAN, TOM WILKINSON, and OLIVIA WILDE (in a bravura performance). The less said about KIM CATRALL, in a supporting role, the better. It is by turns, funny, suspenseful, thrilling, scary, puzzling and in the end, deeply satisfying, with a wicked twist, you won't see coming for miles.
Without giving too much away, MCGREGGOR, plays the eponymous role. He has been hired by a TONY BLAIR manque (BROSNAN), to work on his memoirs, after the first ghost, has died under mysterious circumstances. At the same time, this former PM is under siege, for apparent war crimes, committed under his regime. That's all you need to know.
This film is in the tradition of those great paranoia thrillers of the 70's: KLUTE, THE PARALLAX VIEW and THREE DAYS OF THE CONDOR. POLANSKI'S presence looms over every frame and one can feel echoes of his past works like CHINATOWN, reverberating in every frame. Regardless, of all the personal stress he was under at the time, (he edited it while under house arrest, for Pete's sake), the film is seamless and flawless.
This is a great film, highly recommended and alot of fun to boot.
...AND WHAT A TWIST ENDING... (enough said).
Until next time..
T.T.F.N.
The film which is based on the book by ROBERT HARRIS, (he also had a hand in the screenplay too), THE GHOST, stars EWAN MCGREGGOR, PIERCE BROSNAN, TOM WILKINSON, and OLIVIA WILDE (in a bravura performance). The less said about KIM CATRALL, in a supporting role, the better. It is by turns, funny, suspenseful, thrilling, scary, puzzling and in the end, deeply satisfying, with a wicked twist, you won't see coming for miles.
Without giving too much away, MCGREGGOR, plays the eponymous role. He has been hired by a TONY BLAIR manque (BROSNAN), to work on his memoirs, after the first ghost, has died under mysterious circumstances. At the same time, this former PM is under siege, for apparent war crimes, committed under his regime. That's all you need to know.
This film is in the tradition of those great paranoia thrillers of the 70's: KLUTE, THE PARALLAX VIEW and THREE DAYS OF THE CONDOR. POLANSKI'S presence looms over every frame and one can feel echoes of his past works like CHINATOWN, reverberating in every frame. Regardless, of all the personal stress he was under at the time, (he edited it while under house arrest, for Pete's sake), the film is seamless and flawless.
This is a great film, highly recommended and alot of fun to boot.
...AND WHAT A TWIST ENDING... (enough said).
Until next time..
T.T.F.N.
Tuesday, February 23, 2010
''SHUDDER" ISLAND
Well, my fellow Cinefolk, as promised, I did see the new MARTIN SCORCESE flick, SHUTTER ISLAND, and it was a doozy.
We all know the following basics: the film was supposed to open last fall, but it was delayed by PARAMOUNT, until Feb, so they could publicize it properly. The source material is the mystery by ace writer, DENNIS LEHANE, who has 3 movies made out of 3 of his books (i.e. MYSTIC RIVER, GONE BABY GONE and now, SHUTTER ISLAND).
The plot is simplicity itself: LEONARDO DI CAPRIO and MARK RUFFALO, play 2 cops her are summoned to SHUTTER ISLAND - which is an asylum that looks like a less-pleasant ALCATRAZ!!! - to investigate a disappearance. However, all is not what it appears to be, and by the end you're really not sure which way is up. I really can't reveal anymore, as I don't want to ruin, the delicious surprises, awaiting the viewer.
SCORCESE, is a bravura film-maker, and one can feel the influence of such film-makers as VAL LEWTON and STANLEY KUBRICK, on him.
The production values are up to SCORCESE'S high standards. His d.o.p. ROBERT RICHARDSON, is fabulous as always and he works with his usual cutter, THELMA SCHOONMAKER. His cast is flawless: BEN (why so wet baby)? KINGSLEY, MAX VON SYDOW, MICHELLE WILLIAMS, PATRICIA CLARKSON, JACKIE EARLE HALEY, and ELIAS KOTEAS.
The film will haunt u, long after you've seen it and in conclusion, all I can say is Mr. SCORCESE, it was worth the wait.
Until next time, my Cinegoodfellas,
T.T.F.N.
We all know the following basics: the film was supposed to open last fall, but it was delayed by PARAMOUNT, until Feb, so they could publicize it properly. The source material is the mystery by ace writer, DENNIS LEHANE, who has 3 movies made out of 3 of his books (i.e. MYSTIC RIVER, GONE BABY GONE and now, SHUTTER ISLAND).
The plot is simplicity itself: LEONARDO DI CAPRIO and MARK RUFFALO, play 2 cops her are summoned to SHUTTER ISLAND - which is an asylum that looks like a less-pleasant ALCATRAZ!!! - to investigate a disappearance. However, all is not what it appears to be, and by the end you're really not sure which way is up. I really can't reveal anymore, as I don't want to ruin, the delicious surprises, awaiting the viewer.
SCORCESE, is a bravura film-maker, and one can feel the influence of such film-makers as VAL LEWTON and STANLEY KUBRICK, on him.
The production values are up to SCORCESE'S high standards. His d.o.p. ROBERT RICHARDSON, is fabulous as always and he works with his usual cutter, THELMA SCHOONMAKER. His cast is flawless: BEN (why so wet baby)? KINGSLEY, MAX VON SYDOW, MICHELLE WILLIAMS, PATRICIA CLARKSON, JACKIE EARLE HALEY, and ELIAS KOTEAS.
The film will haunt u, long after you've seen it and in conclusion, all I can say is Mr. SCORCESE, it was worth the wait.
Until next time, my Cinegoodfellas,
T.T.F.N.
Monday, February 15, 2010
A WALK ON THE ''BLAND'' SIDE
Good day, fellow Cinelovers, well it seems that the Oscars are drawing neigh and the Academy of Arts and Sciences, has decided to nominate 10, instead of 5 films as per usual, for best film this year, why? heaven only knows. I have a tradition, that every year I see all of the nominees, which is a long way of saying that I went to see JOHN LEE HANCOCK'S THE BLIND SIDE, starring SANDRA BULLOCK, in an already acclaimed and richly rewarded starring role.
O.K. so how was the flick? I guess you can tell from ''the header,'' that I found if fair to midland. To be more precise I found it preachy, manipulative, cloying, simple-minded, and the worst crime a film can be, ''bland."
Yes, SANDRA BULLOCK, is very good playing the spirited matriarch of a family that in real life took in a down on his luck high-school student, who becomes a football whiz, but I feel she does the most with a poorly-written role.
The big surprise is the performance given by TIM MCGRAW, as her husband, it is quite credible. Also, the ever-reliable KATHY BATES, is always good. The worst part is her ''precocious" son, lord save me from preternaturally clever, and cracking wise kids.
The whole film is just to0, pardon the pun, black and white. There is more subtlety, shading, characterization, and revelations in a single episode of LOST, then in this entire film.
I know it's made gazillions of dollars and it's a feel good film, I guess I prefer a more nuanced feel bad film. It's just not, a very interesting film.
However, there is hope on the movie horizon...
Friday brings SHUTTER ISLAND, to provide mid-winter relief.
Until next time...
T.T.F.N.
O.K. so how was the flick? I guess you can tell from ''the header,'' that I found if fair to midland. To be more precise I found it preachy, manipulative, cloying, simple-minded, and the worst crime a film can be, ''bland."
Yes, SANDRA BULLOCK, is very good playing the spirited matriarch of a family that in real life took in a down on his luck high-school student, who becomes a football whiz, but I feel she does the most with a poorly-written role.
The big surprise is the performance given by TIM MCGRAW, as her husband, it is quite credible. Also, the ever-reliable KATHY BATES, is always good. The worst part is her ''precocious" son, lord save me from preternaturally clever, and cracking wise kids.
The whole film is just to0, pardon the pun, black and white. There is more subtlety, shading, characterization, and revelations in a single episode of LOST, then in this entire film.
I know it's made gazillions of dollars and it's a feel good film, I guess I prefer a more nuanced feel bad film. It's just not, a very interesting film.
However, there is hope on the movie horizon...
Friday brings SHUTTER ISLAND, to provide mid-winter relief.
Until next time...
T.T.F.N.
Sunday, February 7, 2010
N'OKLAHOMA
Hello fellow Cineflickers, well I happened to see a brand-new musical recently. You might of heard about it, it's called LITTLE HOUSE ON THE PRAIRIE, THE MUSICAL. You might have also heard that it stars, ole HALF-PINT, herself, MELISSA GILBERT, making her singin' and dancin' debut. Well, this here musical does try very, very, hard to amuse and entertain, and it does to a degree, but sorry it ain't no OKLAHOMA, which is what it really wants to be. Therefore, with apologies, to Messrs. Rogers and Hammerstein may I present...
N'OKLAHOMA
(you know the tune)
IT'S N'OKLAHOMA
THOUGH THE WIND COMES SWEEPING DOWN THE PLAIN
IT'S GOT DANCIN' FEET
YOU CAN SMELL THE WHEAT
BUT IT REALLY JUST AIN'T THE SAME
IT'S N'OKLAHOMA!
AN INFERIOR ITEM THIS IS TRUE
IT'LL NEVER LAST
OR SELL OUT FAST
TO GO TO BROADWAY AVENUE
WE KNOW WE'RE A BIG THEATRE FAN
AND USUALLY WHAT WE SEE IS JUST GRAND
SO, WHEN I SAY -
N'OKLAHOMKA, GO AWAY!
I'M ONLY SAYING -
YOU'RE NOT VERY FINE N'OKLAHOMA
N'KLAHOMA, N'OKEY
F-L-O-P-
N'OKLAHOMA, N'OKEY!
Until next time...
T.T.F.N.
N'OKLAHOMA
(you know the tune)
IT'S N'OKLAHOMA
THOUGH THE WIND COMES SWEEPING DOWN THE PLAIN
IT'S GOT DANCIN' FEET
YOU CAN SMELL THE WHEAT
BUT IT REALLY JUST AIN'T THE SAME
IT'S N'OKLAHOMA!
AN INFERIOR ITEM THIS IS TRUE
IT'LL NEVER LAST
OR SELL OUT FAST
TO GO TO BROADWAY AVENUE
WE KNOW WE'RE A BIG THEATRE FAN
AND USUALLY WHAT WE SEE IS JUST GRAND
SO, WHEN I SAY -
N'OKLAHOMKA, GO AWAY!
I'M ONLY SAYING -
YOU'RE NOT VERY FINE N'OKLAHOMA
N'KLAHOMA, N'OKEY
F-L-O-P-
N'OKLAHOMA, N'OKEY!
Until next time...
T.T.F.N.
Wednesday, January 27, 2010
''RENT, SINGLE , HEART''
Well my Cinekinder, I have some catching up to do Cinewise, as I have just seen 2 fabulous flix, as well as a great musical. In order of appearance they are RENT by JONATHAN LARSON, A SINGLE MAN, directed by TOM FORD and CRAZY HEART written and directed by SCOTT COOPER.
Firstly, to RENT. This is a touring production of the broadway hit and by the time you read this, it's short run is sadly over. It was a fabulous production, with the added bonus of the two broadway stars, ANTHONY RAPP and ADAM PASCAL. It was a very high-energy show, and the cast was terrif. The show is not dated at all, and it holds up very well. I have seen the musical a number of times as well as the movie and this was the best production, I have ever seen.
On to the next. I became aware of A SINGLE MAN, when it premiered at TIFF, in Sept. Since then I have heard nothing but raves for TOM FORD'S direction, and especially for COLIN FIRTH'S much-lauded, bravura perf.
The film is based on a novella by CHRISTOPHER ISHERWOOD, whose BERLIN STORIES, formed the basis of what became the musical, CABARET. The basic story is of a repressed homosexual teacher (FIRTH), who loses his lover in a car accident and loses his will to live. However, it is the images captured by FORD'S camera, that makes this movie really something special. Considering that this is his first film it is one of the most-assured ones I have ever seen. His visual mastery is nothing short of astonishing. His imagery is by turns menacing, sensual, menacing, lyrical and surreal. As mentioned, FIRTH, gives an astounding performance. It is one of the best films of the year, and FIRTH, will definitely nominated for best actor.
Lastly, but certainly not leastly, is SCOTT COOPER'S CRAZY HEART, which contains a fan-dam-fabulous performance by JEFF BRIDGES. He plays a grizzled c & w, star and seems to be channeling WAYLON JENNINGS. The supporting cast is wonderful as well: MAGGIE GYLLENHALL, COLIN FARRELL and the wonderful ROBERT DUVALL. The soundtrack is fabulous as well, produced by T BONE BURNETT and BRIDGES sings all original tunes. It sorta reminded me of THE WRESTLER, as they are both tales of redemption and this could be the year that BRIDGES, finally gets his Oscar.
Well, Cinehommes et Cinefilles, dats all for now, as you can imagine I am full.
T.T.F.N.
Firstly, to RENT. This is a touring production of the broadway hit and by the time you read this, it's short run is sadly over. It was a fabulous production, with the added bonus of the two broadway stars, ANTHONY RAPP and ADAM PASCAL. It was a very high-energy show, and the cast was terrif. The show is not dated at all, and it holds up very well. I have seen the musical a number of times as well as the movie and this was the best production, I have ever seen.
On to the next. I became aware of A SINGLE MAN, when it premiered at TIFF, in Sept. Since then I have heard nothing but raves for TOM FORD'S direction, and especially for COLIN FIRTH'S much-lauded, bravura perf.
The film is based on a novella by CHRISTOPHER ISHERWOOD, whose BERLIN STORIES, formed the basis of what became the musical, CABARET. The basic story is of a repressed homosexual teacher (FIRTH), who loses his lover in a car accident and loses his will to live. However, it is the images captured by FORD'S camera, that makes this movie really something special. Considering that this is his first film it is one of the most-assured ones I have ever seen. His visual mastery is nothing short of astonishing. His imagery is by turns menacing, sensual, menacing, lyrical and surreal. As mentioned, FIRTH, gives an astounding performance. It is one of the best films of the year, and FIRTH, will definitely nominated for best actor.
Lastly, but certainly not leastly, is SCOTT COOPER'S CRAZY HEART, which contains a fan-dam-fabulous performance by JEFF BRIDGES. He plays a grizzled c & w, star and seems to be channeling WAYLON JENNINGS. The supporting cast is wonderful as well: MAGGIE GYLLENHALL, COLIN FARRELL and the wonderful ROBERT DUVALL. The soundtrack is fabulous as well, produced by T BONE BURNETT and BRIDGES sings all original tunes. It sorta reminded me of THE WRESTLER, as they are both tales of redemption and this could be the year that BRIDGES, finally gets his Oscar.
Well, Cinehommes et Cinefilles, dats all for now, as you can imagine I am full.
T.T.F.N.
Friday, January 22, 2010
WOMANIZER! WOMANIZER! WOMANIZER!
Well, Cinefollowers, we seem to be between films at this juncture and so it's time to return once again to the literary world, for a review of a fantastic, new bio, by one of my favourite author's. That would be the story of that ole ex-Lothario himself, WARREN BEATTY. The book is called STAR, by PETER BISKIND.
Years ago, I saw WARREN BEATTY, being interviewed by BABA WAWA and she was giving to him different monikers he had been called over the years, and she asked him to respond, in kind. The last one she lobbed at him was ''womanizer.'' He paused, and hesitated and then he stammered out: ''no.''
Then, there was the time when his sis. SHIRLEY MACLAINE - who was presenting on the Oscars, and BEATTY, was in the audience. She said in front of a gazillion viewers: ''Oh, Warren, imagine what you could accomplish if you were celibate. Reportedly, he did not speak to her again for a year.
Now, as I mentioned, I love PETER BISKIND (one of my favourite books about HOLLYWEIRD, is his EASY RIDERS, RAGING BULLS, which is about how the great directors of the 70's, had great success and then blew it.
So, what do we learn from BISKIND'S exhaustively researched tome on BEATTY? - alot. For instance didja know that BEATTY, is the only director, who was nominated for 4 Academy Awards, (for HEAVEN CAN WAIT, and REDS, respectively), in 4 different categories, twice. Only ORSON WELLES, comes close to this accomplishment, but he only did it once. He has turned down, more movies than he did. His film output numbers in the twenties, and he only had 3 real hits: BONNIE AND CLYDE, HEAVEN CAN WAIT and SHAMPOO. BEATTY, spent the rest of his time turning down parts and of course, chasing skirt.
The picture that emerges, from this book is not a pretty one. He is clearly a control-freak, who will run roughshod over anyone to get what he wants. We learn how he dominated, director, HAL ASHBY, ON SHAMPOO, and basically directed the movie himself. He did the same thing to his erst-while co-director, BUCK HENRY, on HEAVEN CAN WAIT. While there is no denying his obvious charm, and talent, he comes off as quite cruel at times and basically, not a very nice man.
I devoured this book, and basically every one who BEATTY, ever knew, worked with, or slept with, are featured in the text. I already knew of his work and collaboration with friends and filmmakers such as, ROBERT TOWNE, ELAINE MAY, JAMES TOBACK and of course, JACK NICHOLSON, JULIE CHRISTIE and DIANE KEATON. But BISKIND, told me so much more about them.
The book, is over 500 pages long and so BISKIND, has obviously done his homework. What emerges is a fully fleshed-out picture of BEATTY, and it is a truly fascinating one.
Until next time..
T.T.F.N.
Years ago, I saw WARREN BEATTY, being interviewed by BABA WAWA and she was giving to him different monikers he had been called over the years, and she asked him to respond, in kind. The last one she lobbed at him was ''womanizer.'' He paused, and hesitated and then he stammered out: ''no.''
Then, there was the time when his sis. SHIRLEY MACLAINE - who was presenting on the Oscars, and BEATTY, was in the audience. She said in front of a gazillion viewers: ''Oh, Warren, imagine what you could accomplish if you were celibate. Reportedly, he did not speak to her again for a year.
Now, as I mentioned, I love PETER BISKIND (one of my favourite books about HOLLYWEIRD, is his EASY RIDERS, RAGING BULLS, which is about how the great directors of the 70's, had great success and then blew it.
So, what do we learn from BISKIND'S exhaustively researched tome on BEATTY? - alot. For instance didja know that BEATTY, is the only director, who was nominated for 4 Academy Awards, (for HEAVEN CAN WAIT, and REDS, respectively), in 4 different categories, twice. Only ORSON WELLES, comes close to this accomplishment, but he only did it once. He has turned down, more movies than he did. His film output numbers in the twenties, and he only had 3 real hits: BONNIE AND CLYDE, HEAVEN CAN WAIT and SHAMPOO. BEATTY, spent the rest of his time turning down parts and of course, chasing skirt.
The picture that emerges, from this book is not a pretty one. He is clearly a control-freak, who will run roughshod over anyone to get what he wants. We learn how he dominated, director, HAL ASHBY, ON SHAMPOO, and basically directed the movie himself. He did the same thing to his erst-while co-director, BUCK HENRY, on HEAVEN CAN WAIT. While there is no denying his obvious charm, and talent, he comes off as quite cruel at times and basically, not a very nice man.
I devoured this book, and basically every one who BEATTY, ever knew, worked with, or slept with, are featured in the text. I already knew of his work and collaboration with friends and filmmakers such as, ROBERT TOWNE, ELAINE MAY, JAMES TOBACK and of course, JACK NICHOLSON, JULIE CHRISTIE and DIANE KEATON. But BISKIND, told me so much more about them.
The book, is over 500 pages long and so BISKIND, has obviously done his homework. What emerges is a fully fleshed-out picture of BEATTY, and it is a truly fascinating one.
Until next time..
T.T.F.N.
Thursday, January 14, 2010
THAT WAS THE (MOVIE) YEAR THAT WAS
Well, Cinemaniacs, it's time to wrap up the cinematic year 2009, with a bow. Personally, I feel it was an excellent year for film as this column will attest to.
...AND SO WITHOUT ANY FURTHER ADO...
...IT'S TIME FOR...
...THE 2009 CINEY'S...
BEST FILM: INVICTUS
RUNNERS UP: PRECIOUS, A SERIOUS MAN, AVATAR, PUBLIC ENEMIES, INGLORIOUS BASTERDS, UP IN THE AIR
BEST ACTOR: MICHAEL STUHLBARG, A SERIOUS MAN
BEST ACTRESS: GABOUREY SIDBE, PRECIOUS
BEST SUPPORTING ACTOR: CHRISTOPH WALTZ (hands down).
BEST SUPPORTING ACTRESS: MO'NIQUE, PRECIOUS
WORST FILM: ANTICHRIST
MOST DISAPPOINTING FILM: NINE
BIGGEST SLEEPER: SHERLOCK HOLMES
There you have it gang, I hope to have lots more stuff for you in 2010 (gulp). Just next month we have SHUTTER ISLAND, to look forward to. So, I promise to keep watching the screens, if you promise to keep watching the blog.
until next time Cinekinder...
T.T.F.N.
...AND SO WITHOUT ANY FURTHER ADO...
...IT'S TIME FOR...
...THE 2009 CINEY'S...
BEST FILM: INVICTUS
RUNNERS UP: PRECIOUS, A SERIOUS MAN, AVATAR, PUBLIC ENEMIES, INGLORIOUS BASTERDS, UP IN THE AIR
BEST ACTOR: MICHAEL STUHLBARG, A SERIOUS MAN
BEST ACTRESS: GABOUREY SIDBE, PRECIOUS
BEST SUPPORTING ACTOR: CHRISTOPH WALTZ (hands down).
BEST SUPPORTING ACTRESS: MO'NIQUE, PRECIOUS
WORST FILM: ANTICHRIST
MOST DISAPPOINTING FILM: NINE
BIGGEST SLEEPER: SHERLOCK HOLMES
There you have it gang, I hope to have lots more stuff for you in 2010 (gulp). Just next month we have SHUTTER ISLAND, to look forward to. So, I promise to keep watching the screens, if you promise to keep watching the blog.
until next time Cinekinder...
T.T.F.N.
Monday, January 11, 2010
"PRECIOUS' HOLMES"
Well, Cineflora and fauna, I saw 2 fab films and I thought I'd discuss them for your enjoyment and mine.
The first one was PRECIOUS directed by LEE DANIELS and the second one was SHERLOCK HOLMES, directed by GUY RITCHIE.
I have to admit I was a little leery of seeing PRECIOUS, as I thought it would be a depressopolooza and that's why I avoided it like the plague at TIFF. However, I must report that it wasn't that depressing, but engrossing with breakout acting from MONIQUE and especially from GABOUREY SIDIBE, in the titular role.
SIDIBE, is a revelation as the titular character and her performance is both heart-breaking and life-affirming. The same can't be said of PRECIOUS' mother, who as masterfully played by MONIQUE, has no redeeming qualities at all. It is definitely one of the best films of the year and highly recommended.
On to film numero deux (you didn't know that The Cineman was bi-lingual, eh)? Number 2 is GUY RITCHIE'S SHERLOCK HOLMES, which I didn't think I would like as much as I did.
The film is a delight from beginning to end. The interplay between ROBERT DOWNEY JR'S HOLMES and JUDE LAW'S WATSON is wonderful. It has a great story, fabulous villain, sparkling dialogue and marvelous scenery. It was a real sleeper and a romp to savour.
The production values are sterling, as befits a film produced by JOEL SILVER, (get it)? The d.o.p. is the masterful PHILIPPE ROUSSELOT, and it is a very handsome production with excellent vfx as well.
Next time Cinemigoes, we'll have the year wrap-up of hits and misses.
until then...
T.T.F.N.
The first one was PRECIOUS directed by LEE DANIELS and the second one was SHERLOCK HOLMES, directed by GUY RITCHIE.
I have to admit I was a little leery of seeing PRECIOUS, as I thought it would be a depressopolooza and that's why I avoided it like the plague at TIFF. However, I must report that it wasn't that depressing, but engrossing with breakout acting from MONIQUE and especially from GABOUREY SIDIBE, in the titular role.
SIDIBE, is a revelation as the titular character and her performance is both heart-breaking and life-affirming. The same can't be said of PRECIOUS' mother, who as masterfully played by MONIQUE, has no redeeming qualities at all. It is definitely one of the best films of the year and highly recommended.
On to film numero deux (you didn't know that The Cineman was bi-lingual, eh)? Number 2 is GUY RITCHIE'S SHERLOCK HOLMES, which I didn't think I would like as much as I did.
The film is a delight from beginning to end. The interplay between ROBERT DOWNEY JR'S HOLMES and JUDE LAW'S WATSON is wonderful. It has a great story, fabulous villain, sparkling dialogue and marvelous scenery. It was a real sleeper and a romp to savour.
The production values are sterling, as befits a film produced by JOEL SILVER, (get it)? The d.o.p. is the masterful PHILIPPE ROUSSELOT, and it is a very handsome production with excellent vfx as well.
Next time Cinemigoes, we'll have the year wrap-up of hits and misses.
until then...
T.T.F.N.
Friday, January 1, 2010
RIFFS ON THREE FLICKS
Well, my Cinebuffs, there has been a cornucopia of films out recently and I have a report on 3 of them. They all have their own merits, but one of them is outstanding and happens to be the best movie I saw this year, to date. In order of screening, the films are: IT'S COMPLICATED, directed by NANCY MEYERS. INVICTUS, directed by CLINT EASTWOOD and BROKEN EMBRACES, directed by PEDRO ALMODOVAR.
First things first, NANCY MEYERS' IT'S COMPLICATED, starring the great MERYL STREEP, the hilarious ALEC BALDWIN and the sadly miscast, STEVE MARTIN, is a vast improvement on her last flick, THE HOLIDAY, which was D.O.A. (dreck on arrival).
In this film, STREEP and BALDWIN, play exes who start fooling around and as you may guess, mayhem ensues. It is worth seeing for the fabulous chemistry between la STREEP and Mr. B. The less said about STEVE MARTIN, as STREEP'S erstwhile suitor, the better. It is a recessive role, which does not suit MARTIN well and he only gets to let loose in one hilarious scene, where he and STREEP are stoned.
On the whole the film was ver enjoyable and I have to admit, I laughed quite a bit. STREEP, looks fabulous as framed by d.o.p.. JOHN TOLL, and on the whole, the film is alot of fun, albeit a little disjointed plot-wise and too long.
Now, the second film is something special indeed. It is INVICTUS, directed by CLINT EASTWOOD. As, I look back on the year and compile my 10 best list, I have to look no further than this one for numero uno.
Now, I have to admit I was a little leery of seeing this film, which has alot of rugby in it - not being a huge sports fan - but I have to say upon seeing it that it is a fantastic film. The film takes place and is shot in South Africa, and is about the early days of NELSON MANDELA'S reign as President and his interaction with the rugby team, THE SPRINGBOKS, and especially, their captain FRANCOIS PIENNAR, played by a very-convincing. MATT DAMON. the entire cast acquits themselves well, however, the stand-out performance has to be MORGAN FREEMAN, who becomes NELSON MANDELA.
MANDELA, sees a connection between himself and this ne'er-do-well rugby team (think of the Leafs), He thinks that both he and the team can help unite the country, if they win the WORLD CUP OF RUGBY, which they get to play in, because they're the host country. MANDELA , befriends the team captain and soon all of SOUTH AFRICA is rooting for the team and all their exploits are being documented, as they pull themselves together and become contenders. At the same time, we get to know MANDELA'S security detail which is now integrated and how they interact with him.
The film is at times funny, sad, thrilling and inspirational, but not in that treacly "you'll stand up and cheer" way. We really feel a genuine connection between MANDELA and PIENNAR. It is an outstanding film and highly-recommended.
CLINT EASTWOOD, deserves kudos for his magnificent direction. A word though about the title, however. The title is taken from the famous poem, INVICTUS, by WILLIAM ERNEST HENLEY. This poem provided solace for MANDELA, when he was incarcerated. I have to admit though, it's a terrible title for a movie and makes it sound like a horror film (WHO WILL BE NEXT TO DIE FROM THE VIRUS? WHO WOULD SUCCUMB...TO INVICTUS-IT'S A KILLER)!!!
Last on the list is BROKEN EMBRACES, directed by the great PEDRO ALMODOVAR. His last film was the fabulous VOLVER which like this one, stars his muse, PENELOPE CRUZ. This film is not as good as that one, but it is very good.
This flick, finds, ALMODOVAR, working very effectively in a HITCHKOCKIAN vein, with its mise en scene and music and is also very good. It is the story of a film director, and touches on themes of love, lust, guilt regret and revenge. To say any more, would ruin, the delicious surprises in store, for the viewer.
So, Cinekinder, Let me wish you all a HAPPY NEW YEAR and I'll be back soon, with my 2009 flm wrap-up and the 10 best and worst of the year (you all know the best).
Until then mon amis...
T.T.F.N.
First things first, NANCY MEYERS' IT'S COMPLICATED, starring the great MERYL STREEP, the hilarious ALEC BALDWIN and the sadly miscast, STEVE MARTIN, is a vast improvement on her last flick, THE HOLIDAY, which was D.O.A. (dreck on arrival).
In this film, STREEP and BALDWIN, play exes who start fooling around and as you may guess, mayhem ensues. It is worth seeing for the fabulous chemistry between la STREEP and Mr. B. The less said about STEVE MARTIN, as STREEP'S erstwhile suitor, the better. It is a recessive role, which does not suit MARTIN well and he only gets to let loose in one hilarious scene, where he and STREEP are stoned.
On the whole the film was ver enjoyable and I have to admit, I laughed quite a bit. STREEP, looks fabulous as framed by d.o.p.. JOHN TOLL, and on the whole, the film is alot of fun, albeit a little disjointed plot-wise and too long.
Now, the second film is something special indeed. It is INVICTUS, directed by CLINT EASTWOOD. As, I look back on the year and compile my 10 best list, I have to look no further than this one for numero uno.
Now, I have to admit I was a little leery of seeing this film, which has alot of rugby in it - not being a huge sports fan - but I have to say upon seeing it that it is a fantastic film. The film takes place and is shot in South Africa, and is about the early days of NELSON MANDELA'S reign as President and his interaction with the rugby team, THE SPRINGBOKS, and especially, their captain FRANCOIS PIENNAR, played by a very-convincing. MATT DAMON. the entire cast acquits themselves well, however, the stand-out performance has to be MORGAN FREEMAN, who becomes NELSON MANDELA.
MANDELA, sees a connection between himself and this ne'er-do-well rugby team (think of the Leafs), He thinks that both he and the team can help unite the country, if they win the WORLD CUP OF RUGBY, which they get to play in, because they're the host country. MANDELA , befriends the team captain and soon all of SOUTH AFRICA is rooting for the team and all their exploits are being documented, as they pull themselves together and become contenders. At the same time, we get to know MANDELA'S security detail which is now integrated and how they interact with him.
The film is at times funny, sad, thrilling and inspirational, but not in that treacly "you'll stand up and cheer" way. We really feel a genuine connection between MANDELA and PIENNAR. It is an outstanding film and highly-recommended.
CLINT EASTWOOD, deserves kudos for his magnificent direction. A word though about the title, however. The title is taken from the famous poem, INVICTUS, by WILLIAM ERNEST HENLEY. This poem provided solace for MANDELA, when he was incarcerated. I have to admit though, it's a terrible title for a movie and makes it sound like a horror film (WHO WILL BE NEXT TO DIE FROM THE VIRUS? WHO WOULD SUCCUMB...TO INVICTUS-IT'S A KILLER)!!!
Last on the list is BROKEN EMBRACES, directed by the great PEDRO ALMODOVAR. His last film was the fabulous VOLVER which like this one, stars his muse, PENELOPE CRUZ. This film is not as good as that one, but it is very good.
This flick, finds, ALMODOVAR, working very effectively in a HITCHKOCKIAN vein, with its mise en scene and music and is also very good. It is the story of a film director, and touches on themes of love, lust, guilt regret and revenge. To say any more, would ruin, the delicious surprises in store, for the viewer.
So, Cinekinder, Let me wish you all a HAPPY NEW YEAR and I'll be back soon, with my 2009 flm wrap-up and the 10 best and worst of the year (you all know the best).
Until then mon amis...
T.T.F.N.
Subscribe to:
Comments (Atom)