Monday, November 23, 2009

THE GLORY OF ''SEVEN STORIES''

This week, my Cinefolks, I was going to have a review of ROLAND EMMERICH'S latest uberdisaster, 2012, however, I have not seen it, as of yet. Instead, let's go to the live theatre, for a look at MORRIS PANYCH'S SEVEN STORIES.

I have to admit, that until recently, MR. PANYCH, was below my radar, with regards, to his theatrical credits and achievements. That was until I saw a production of his play, VIGIL, which was a delightful, black comedy, starring BRENT CARVER and MARTHA HENRY. Once I started to investigate PANYCH'S credits, I became aware just what an accomplished, playwright and director, he really was.

This production, of SEVEN STORIES, was celebrating its 20th anniversary and starred its original protagonist, PETER ANDERSON. To appreciate, this play, it helps to be familiar with the theatre of the absurd, and some of it's most celebrated playwrights: PIRANDELLO, IONESCO, BECKETT and PINTER. As well, one should be aware of the artist RENE MAGRITTE, whose influence on the piece, is felt in the production design, costumes and thematic aspects of this theatrical work. As well, it can't hurt to know that 70's landmark comedy series, LAUGH IN (really).

So, what's it all about ALFIE? You see, there's this dapper chap, who is standing on the top of a seven story, (get it)? building and appears to be about to jump, only to be interrupted by the wacky denizens of this edifice. Except, for ANDERSON, the actors get to essay multiple parts, and run the gamut of emotions, from A-Z.

Its a very enjoyable work, that works on multiple level and I have to admit I frequently laughed out loud. Like all the best theatre, it makes one laugh, but also think. Just some of the themes touched on by this farce: alienation, conformity, suicide, aging and others. The cast is top notch and it is a great ensemble. They are all fabulous and deserve to be mentioned by name: DAMIEN ATKINS, CHRISTOPHER HUNT, MELODY A. JOHNSON and REBECCA NORTHAM. Kudos to all.

Until next time...

T. T. F. N.


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